2019年08月25日 00:59:12|来源:国际在线|编辑:预约助手
PARK CITY, Utah — The Sundance Television Festival this is not.That snarky, small-screen nickname is nonetheless being tossed around by some of the Hollywood attendees who are gathering here the 31st Sundance Film Festival, which starts on Thursday. The reason: Like the rest of moviedom, the independent-film world is grappling with the incursion of television as a creative and financial ce.Independent film used to define the cutting edge in entertainment, but the indie crowd has lately ceded ground to television, which is turning out risk-taking shows like Amazon’s “Transparent,” created by a Sundance film alumna. A vast majority of the 3 movies that will play Sundance this year will end up finding an audience not in a theater but on a -on-demand system.The shift leaves Sundance, longtime attendees say, on the edge of an identity crisis. The festival, fiercely proud of its heritage as America’s emost showcase independent cinema, is working to hold on to that identity. At the same time, it is tentatively embracing an art m, television, in which innovation and energy abound.In other words, it is trying to remain relevant.The signs of this push and pull are everywhere, starting with “Animals,” an independently produced and financed television series. The first two animated episodes, about lovelorn New York rats and gender-questioning pigeons, will make their debut at Sundance on Monday as a special event. Moreover, “Animals” is hoping to use the festival to land a distributor — a first a television series, Sundance staff members said.A TV show being shopped at Sundance? It is not as strange as it sounds, at a time when analysts estimate that digital and -on-demand services are replacing art houses as the primary outlet more than 90 percent of independent films. The most active Sundance buyers this year are expected to include distributors that tend to lean on on demand, like IFC, Magnolia and Radius-TWC, the boutique division of the boutique Weinstein Company.Twelve Sundance documentaries are aly spoken by HBO, CNN, Showtime and Netflix. “Your local art house cinema is moving to your living room,” said Jason Blum, a producer whose film “Whiplash” opened Sundance last year and who notably just announced a major expansion into television.At the same time, more independent directors and writers are hoping to use Sundance as a launching pad not a film career but a television one.“Now the dream is to write and direct an indie film, get into Sundance and then use that to become a big-time TV series creator, like Lena Dunham, or a show runner or a TV director,” said Reed Martin, author of “The Reel Truth,” a guide to making an independent film. “TV is where all the money is, and where a lot of the creative risk-taking is celebrated these days,” he added.The indie brain drain is noticeable. The filmmakers Mark and Jay Duplass, long Sundance darlings, have recently been busy creating the series “Togetherness” HBO. (They are also executive producers of “Animals.”) Woody Allen, who was indie bee indie was a thing, is making a digital series Amazon, where Jill Soloway — who directed the Sundance entry “Afternoon Delight” — is the creative ce behind “Transparent.”John Ridley is following up his Oscar-winning “ Years a Slave” screenplay with “American Crime,” which arrives on March 5 on A.So where does all of this leave Sundance?On the one hand, festival organizers are thrilled about the rise of television as fertile ground the independent-cinema crowd. Sundance’s oft-repeated goal is to “support independent storytellers,” regardless of the medium. The nonprofit Sundance Institute last year added a television writing lab to its roster of workshops.More than 900 people applied openings, according to Keri Putnam, the Sundance Institute’s executive director.“We spend a lot of time listening to our commy of artists, and what we began to see, like everybody else, was the surge of opporties independent voices on television and online platms,” Ms. Putnam said. “This feels like a very natural expansion of our work.”Similarly, the Tribeca Film Festival in New York last year started a program dedicated to online series, and the more commercially oriented South by Southwest festival in Texas added a television section.But Robert Redd, Sundance’s founder, and his crew also want to protect their movie base, which is one reason they work so hard to stage world premieres (1 this time around, out of 3 features total). When film executives no longer need to make the trek to Utah to see new offerings — when everyone can simply view them on Vimeo link from New York and Los Angeles, as some aly do — Sundance stops being a must-attend event.Some festival officials even avoid the word television, referring to it instead as “episodic storytelling.”“We have no mal plans to add an episodic festival section,” Ms. Putnam said.Still, “Animals” represents an important toe in the water.That seven-episode series is not the first TV project to be shown at Sundance. In , the festival screened Jane Campion’s seven-hour “Top of the Lake” mini-series in its entirety, billing it as a “cinematic event.” Last year, the festival’s experimental New Frontier section included Joseph Gordon-Levitt’s “HitRECord on TV,” a variety-show outgrowth of a website.But both of those shows aly had cable distribution locked up in advance and were trying to use Sundance to generate tune-in buzz. The same is true of “The Jinx: The Life and Deaths of Robert Durst,” a six-part documentary series headed to HBO next month; Sundance will screen the first episode on Tuesday.“Animals,” in contrast, is being dangled sale by agents at ICM Partners, alongside films like “People, Places, Things,” a potential crowd-pleaser about a newly single graphic novelist with twin daughters.The element of commerce is important. Sundance first hit its stride in the 1980s partly because independent-film executives, split between New York and Los Angeles, came together in the middle to wheel and deal. The festival’s heat has always come from the money changing hands.“We truly have no idea what to expect,” said Mike Luciano, who wrote and directed “Animals” with Phil Matarese. “It could end up on traditional TV. It could go to one of the interesting home streaming options. That’s what’s exciting about it.”犹他州帕克城——这里并不是在举行“圣丹斯电视节”第31届圣丹斯电影节(Sundance Film Festival)于周四拉开帷幕,一些出席的好莱坞人士经常用这个和小屏幕有关的难听外号来称呼它这可能是因为,和电影界的其他部分一样,独立电影界也在努力应付电视作为一种创作力量和经济力量的入侵独立电影界曾经代表了业的最前沿,但是近来,独立电影界已经开始把自己的领地割让给电视界,比如亚马逊冒险推出的剧集《透明家庭(Transparent),就是由圣丹斯出身的班底主创的今年在圣丹斯电影节上映的3部影片中,大部分不会在影院播出,而会在视频点播系统中播出圣丹斯的长期参与者们认为,这个变化令该电影节面临身份危机圣丹斯电影节是美国独立电影的最佳展示机会,组委会深以这个传统为骄傲,致力于保持住这一身份与此同时,它也暂且接受电视这种充满革新与能量的艺术形式换言之,它试图保持确当性处处都显现出这种挣扎,先是《动物们(Animals),这是一部独立制作、独立核算的电视剧前两集是动画,讲述失恋的纽约老鼠与对性别有疑问的鸽子,它们将于周一作为特别活动在圣丹斯首播此外,《动物们希望利用电影节寻找分销商——圣丹斯的工作人员们说,这样的做法对于电视剧来说还是第一次在圣丹斯电影节上卖电视剧?其实这并不像听上去的那么奇怪,如今,分析师们评估,数字与视频点播务正在取代艺术影院,成为90%的独立电影的主要出口今年,预计圣丹斯电影节上最活跃的购买者中也会包括依靠视频点播的分销商,诸如IFC、Magnolia和Radius-TWC,其中Radius-TWC是业界精英温斯坦影业(Weinstein Company)旗下的精英部门在圣丹斯播出的纪录片中,已经有部被HBO、CNN、Showtime和Netflix预定“本地的艺术影院来到了你的起居室里,”制片人詹森·布拉姆(Jason Blum)说,他的影片《爆裂鼓手(Whiplash)是去年圣丹斯电影节的首映影片,最近他也在电视上获得了较大知名度 与此同时,更多独立电影导演和编剧不仅希望把圣丹斯作为促进电影事业发展的平台,在电视事业上也是如此“现在人们的梦想是编写并执导一部电影,在圣丹斯放映,然后凭借这份资历,成为黄金时段电视剧的主创,比如莉娜·杜汉姆(Lena Dunham),或者成为电视节目主持人或者导演,”里德·马丁(Reed Martin)说,他是独立制片指南书《胶片真相(Reel Truth)的作者“现在的资金都投向电视,近来电视也鼓励很多创意方面的冒险,”他补充独立电影界的人才流失很明显独立电影制片人马克(Mark)和杰伊·杜普拉斯(Jay Duplass)是圣丹斯颇受宠爱的常客,最近正忙于为HBO台拍摄《患难与共(Togetherness)此外两人也是《动物们的执行制片伍迪·艾伦(Woody Allen)早在独立电影成气候之前就已经是独立电影人了,如今他在为亚马逊拍摄一部数字电视剧;此外曾执导年圣丹斯参赛影片《午后乐事(Afternoon Delight)的吉尔·索洛维(Jill Soloway)也在为亚马逊工作,担任《透明家庭的主创约翰·里德利(John Ridley)曾因撰写《为奴年( Years a Slave)的剧本而获得奥斯卡奖,如今他为《美国重案(American Crime)做编剧,该剧将于3月5日登陆A台所以圣丹斯还剩下什么呢一方面,电影节组织者们为电视业的兴起而兴奋,它为独立电影业提供了丰富的观众基础圣丹斯电影节经常重申自己的目标是:“持独立的故事讲述者”,不管讲述者采取的是什么媒介去年,非盈利性的圣丹斯学院在自己的工作室中加入了一个电视剧本创作实验室圣丹斯学院的执行理事吉莱·帕特纳姆(Keri Putnam)说,有900多人申请了这个实验室的个空缺职位“我们花了很多时间听取同行艺术家的意见,我们开始和所有人一样意识到,在电视和其他网络平台中,开始涌现出大量独立的声音,”帕特纳姆说“于是我们的工作自然而然就延伸了”同样,纽约的翠贝卡电影节也在去年开设了一个项目,专门用于网络剧集;更为商业化的得克萨斯州西南偏南电影节亦增设了电视剧单元但圣丹斯电影节的创始人罗伯特·莱德福特(Robert Redd)和他的工作人员们仍然希望维护电影基础,所以他们才努力搞了那么多全球首映(在本届圣丹斯电影节上映的3部长片中,共有1部是全球首映)如果电影业的执行官员们不必长途跋涉,赶到犹他州来看新片,如果任何人都可以呆在纽约或者洛杉矶,从Vimeo网站观看这些影片(其实有些人已经这么做了),到那个时候,圣丹斯就不再是什么非参加不可的活动了有些电影节组织者甚至讳谈“电视”这个字眼,称电视剧为“分集讲故事”“我们还没有正式推出增设分集电影单元的计划,”普特纳姆说不过,《动物们代表一次重要的尝试这部剧集有7集,不过它并不是第一次出现在圣丹斯上的电视节目年,圣丹斯电影节完整放映了简·坎皮恩(Jane Campion)七小时的迷你剧《湖畔之巅,并将之列入“电影活动”去年,电影节的实验项目,“新边疆”单元播放了约瑟夫·高登-莱维特(Joseph Gordon Levitt)的《HitReCord on TV这是一个出自网站的综艺秀但这两个电视节目都已经事先预定在有线台播出,旨在利用圣丹斯平台做宣传《噩运:罗伯特·斯特的生与死(The Jinx: The Life and Deaths of Robert Durst)也是如此,它是一部六集纪录片,将于下月在HBO播放,圣丹斯电影节将于周二播放前两集《动物们则正相反,它正由ICM伙伴公司对外出售,该公司出售的电影还包括《人物、地点、事件(People, Places, Things),这是一部潜在的讨好大众的电影,主角是一个新近失去伴侣的图文小说家,带着双胞胎女儿生活商业元素很重要圣丹斯电影节能在世纪80年代达到第一个全盛时期,部分是由于原本分裂为纽约与洛杉矶两派的独立电影制片人们聚集到这个中间地带,一起做买卖电影节的一贯来自金钱交易“我们确实不知道未来会发生什么,”迈克·卢西亚诺(Mike Luciano)说,他是《动物们的编剧,并与菲尔·马塔莱斯(Phil Matarese)联合执导了该剧“它可能在传统电视台播放,也可能成为有趣的家庭流媒体之选所以才这么让人兴奋”When did winter become the season of television’s most distinguished content? The fall season, with its organized and heavily publicized broadcast-network premieres, still gets the attention, but a greater number of interesting shows now arrive on cable, broadcast and online in the first quarter of the year.从什么时候起,冬季成了一年中电视节目最丰富的季节?今年秋天有许多首播电视剧做了有组织的盛大宣传,获得不少关注,但更多有趣的剧集还是在一年中的前三个月中登陆有线台、无线台和网络More than 1 new and returning series made the shortlist this roundup bee being whittled down to the that appear here. (And that’s without the HBO shows “True Detective,” which is being moved to later in the year, and “Game of Thrones,” “Veep” and “Silicon Valley,” whose April premiere dates haven’t been announced.) From a “Breaking Bad” spinoff, to the return of “Broadchurch,” to the final season of “Justified,” the winter is high season the serious TV watcher.我们从中精选了1部新剧和回归剧,又进一步缩减到下面的部剧(内中没有包括HBO台的《真探[True Detective],因为它被移到今年晚些时候,亦不包括《权力的游戏[Game of Thrones]、《副总统[Veep]和《硅谷[Silicon Valley],其中《硅谷将在四月播出第一集,具体日期未宣布)从《绝命毒师(Breaking Bad)的衍生剧到《小镇疑云(Broadchurch)的回归,再到《火线警探的最终季,冬天真是电视剧迷的好时光THE BRIDGE (Hulu, Friday) The second season of this Danish-Swedish crime drama (the source FX’s recently canceled series of the same name) once again involves the Oresund Bridge connecting the two countries.《边桥谜案(The Bridge),Hulu,周五播出这部丹麦、瑞典合拍的犯罪剧即将迎来第二季(FX的同名剧集就是根据它改编的,最近刚刚被砍掉),新的一季仍与连接两个乡村的奥莱桑德桥有关DOWNTON ABBEY (PBS, Sunday) Season 5 begins with new blows to Lord Grantham’s self-esteem and the somewhat Victorian touch of an illegitimate baby hidden away in a cottage. those who haven’t aly pirated the British broadcasts or the recaps, let’s just say that the first episode involves a very heated situation.《唐顿庄园(Downton Abbey),PBS,周日播出第五季一开始,格兰瑟姆伯爵的自尊就遭到了新打击,还有一个非婚生的婴儿藏匿在乡间小屋的情节,有些维多利亚时代的气息对于那些还没有通过不法方式看到英国播出的剧集的人,以及那些没看过剧情梗概的人,我们只说第一集中有非常激烈的场面EMPIRE (Fox, Wednesday) The filmmaker Lee Daniels (“Precious,” “Lee Daniels’ The Butler”) is behind this new hip-hop soap opera starring Terrence Howard as a rap mogul with a terminal disease.《嘻哈帝国(Empire),Fox,周三播出这部最新的嘻哈乐肥皂剧的导演是电影人李·丹尼尔斯(Lee Daniels),他曾执导《珍爱(Precious)和《白宫管家(Lee Daniels’ The Butler))片中泰伦斯·霍华德(Terrence Howard)饰演一个身患致命疾病的说唱乐大明星BABYLON (Sundance, Thursday) James Nesbitt, recently seen as the obsessed father of a long-vanished child in “The Missing,” shows up here in a very different role: as a calculating old-school police commissioner who hires an American public-relations expert (Brit Marling) to update the image of Scotland Yard. Danny Boyle (“Slumdog Millionaire”) created this satirical drama, which bears some resemblance to Armando Iannucci’s political comedy film “In the Loop.”《警察故事(Babylon),Sundance,周四播出詹姆斯·内斯比特(Jame Nesbitt)最近在《失踪(The Missing)中出演了一个孩子失踪多年、备受折磨的父亲,他在这部剧中饰演的是完全不同的角色:一个斤斤计较的老派警官,雇用一个美国公关专家(布里特·马灵[Brit Marling]饰),来改善苏格兰场的形象这部讽刺剧集由《贫民窟的百万富翁(Slumdog Millionaire)的导演丹尼·伊尔(Danny Boyle)执导,有点像阿尔曼多·伊安努奇(Armando Iannucci)的政治喜剧片《灵通人士(In the Loop)TOGETHERNESS (HBO, Jan. ) HBO’s Sunday night comedy block aly covers early--something New York women (“Girls,” beginning its fourth season the same night) and late--something San Francisco gay men (“Looking,” beginning its second). Now it adds 30-something Los Angeles straight people in this sometimes bleakly comic half-hour from Jay and Mark Duplass, the brothers behind quirky films like “The Puffy Chair” and “Baghead.” Mark Duplass and Melanie Lynskey play a married couple sharing a house with his best friend (Steve Zissis) and her sister (Amanda Peet).《患难与共(Togetherness),HBO,1月日播出HBO台的周日晚间喜剧组合中已经有了出头的纽约女人(《都市女孩[Girls]第四季第一集将在同一天晚上播出),还有快到30岁的旧金山男同性恋(《寻[Looking]也在当天开播第二季)现在又来了30多岁的洛杉矶异性恋者们这部有点阴郁的半小时喜剧来自杰伊(Jay)和马克·杜普拉斯(Mark Duplass),兄弟俩曾经合拍过《肥大的椅子(The Puffy Chair)和《纸袋头(Baghead)等诡异的电影马克·杜普拉斯和梅兰妮·林斯基(Melanie Lynskey)饰演一对夫妻,和杜普拉斯最好的朋友(史蒂夫·齐西斯[Steve Zissis]饰演)与林斯基的姊(阿曼达·皮特[Amanda Peet]饰)合住一栋房子BROAD CITY (Comedy Central, Jan. ) Ilana Glazer and Abbi Jacobson return a second season of satirizing the poses, compromises and sheer physical grossness of life in New York when you’re underemployed and self-absorbed.《大城小妞(Broad City),Comedy Central,1月日播出伊拉纳·格雷泽(Ilana Glazer)与艾比·雅克布逊(Abbi Jacobson)带着第二季回归了,它讽刺了纽约那些大材小用而又自恋的人们生活中的故作姿态、妥协与纯粹粗俗THE NIGHTLY SHOW WITH LARRY WILMORE (Comedy Central, Jan. 19) Mr. Wilmore’s topical comedy show replaces “The Colbert Report” at :30 p.m. and represents the latest opporty to introduce some diversity to late-night programming. No pressure there!《拉里·威尔莫夜间秀(The Nightly Show with Larry Wilmore),Comedy Central,1月19日播出威尔莫的主题喜剧秀将取代《科尔伯特报告(The Colbert Report)在夜间:30播出,这是深夜节目多样化的最新尝试完全没有压力!JUSTIFIED (FX, Jan. ) The series-long love-hate relationship between Deputy Marshal Raylan Givens (Timothy Olyphant) and his friend and nemesis Boyd Crowder (Walton Goggins) will be resolved, one way or another, in the show’s sixth and final season.《火线警探,FX,1月日副警长瑞兰·吉文斯(Raylan Givens,蒂莫西·奥利芬特[Timothy Olyphant]饰)与他的朋友兼天敌伊德·克劳达(Boyd Crowder,沃尔顿·戈金斯[Walton Goggins]饰)之间爱恨交织的关系贯穿了整部剧,不管怎样,这个问题将在第六季,也就是最终季中得到最终解决BACKSTROM (Fox, Jan. ) Last year, Fox tried a show about a self-destructive lawyer (“Rake,” starring Greg Kinnear) that was based on an Australian TV series. That didn’t work, but now the network is trying a show about a self-destructive detective (played by Rainn Wilson of “The Office”) that’s based on a series of Swedish novels. The show was created by Hart Hanson, who was responsible the Fox series “Bones,” but in the pilot Mr. Wilson’s Backstrom looks a lot more House-like than Bones-like.《巴克斯托姆(Backstrom),Fox,1月日播出去年,福克斯推出根据一部澳大利亚电视剧《法庭浪子(Rake),由格雷格·金尼尔(Greg Kinnear)主演,讲述一个自毁律师的故事那部剧没成功,但现在Fox又试着推出了一部根据瑞典系列小说改编的自毁侦探的故事,由《办公室(The Office)男星雷恩·威尔森(Rainn Wilson)主演这部剧由Fox的系列剧《识骨寻踪(Bones)的编剧哈特·汉森(Hart Hanson)主创,但在试播集里,威尔森饰演的巴克斯托姆看上去更像豪斯医生(House),而不像《识骨寻踪里的角色THE AMERICANS (FX, Jan. ) Season 3 of this terrific blend of Cold War spy thriller and family drama begins with Washington’s K.G.B. contingent feeling the weight of the Soviet war in Afghanistan. Frank Langella joins the cast as the new handler the show’s husband-and-wife agents, replacing Margo Martindale’s Claudia. (Making its premiere eight days later: N’s “Allegiance,” about Russian spies embedded in the ed States. Huh.)《美国谍梦(The Americans),FX,1月日播出这部剧精地将冷战间谍惊悚剧与家庭剧融为一体,第三季一开始,潜伏在华盛顿的克格勃小队感受到了苏联的阿富汗战争的压力弗兰克·兰格拉(Frank Langella)加入演员阵容,饰演剧中夫妻间谍的新联系人,取代了玛戈·马丁代尔(Margo Martindale)饰演的克劳迪娅(Claudia)顺便说一句,八天后N即将首播的《忠诚(Allegiance)是讲述潜伏在美国的俄罗斯间谍的哈FOYLE’S WAR (acorn.tv, Feb. ) After nabbing the final three episodes of “Agatha Christie’s Poirot” last year, the streaming service Acorn TV scores another coup in the field of traditional British mysteries with the American premiere of this superior show’s ninth season. Starring Michael Kitchen as Christopher Foyle, a detective as honorable as he is shrewd, the series has morphed over the years from a provincial home-front cop show to a le Carré-like Cold War thriller. New episodes involve the Nuremberg trials and Britain’s role in Palestine.《战地神探(Foyle’s War),acorn.tv,月日播出去年流媒体务网络Acorn TV放完了《大侦探波洛(Agatha Christie’s Poirot)的最后三集,如今又带来另一部传统英国推理剧,这部超级剧集在英国已经拍到第九季,在美国还是首次播出迈克尔·基臣(Michael Kitchen)在剧中饰演克里斯托弗·弗伊(Christopher Foyle),一位可敬而又狡黠的侦探,这部剧多年来从一部“二战”后方警探剧演变成勒卡雷(le Carré)式的冷战惊悚剧新的几集中有纽伦堡审判以及英国在巴勒斯坦所扮演的角色FRESH OFF THE BOAT (A, Feb. ) A Chinese-American family adjusts to life in mid-90s Florida in this culture-clash comedy based on a memoir by the restaurateur and food-and-travel-show host Eddie Huang. Hudson Yang plays the -year-old hip-hop wannabe Eddie, and Randall Park (Kim Jong-un in “The Interview”) plays his father, proud proprietor of a suburban steakhouse.《初来乍到(Fresh off the Boat),A,月日播出这部喜剧是根据大厨与美食、旅游真人秀主持人黄颐铭的回忆录改编的,讲述世纪90年代中期的佛罗里达,一个华裔美国家庭克文化冲突,努力适应美国生活的故事哈德逊·杨(Hudson Yang)饰演迷恋嘻哈乐的岁男孩艾迪,在《采访(The Interview)中饰演金正恩的兰道尔·朴(Randall Park)饰演他的父亲,一位郊区牛排餐厅骄傲的店主BETTER CALL SAUL (AMC, Feb. 8) Vince Gilligan and Peter Gould’s “Breaking Bad” spinoff is probably the most anticipated new series of the winter. Starring Bob Odenkirk as the crooked lawyer Saul Goodman, the show is set bee the action of “Breaking Bad,” so any appearances by Bryan Cranston or Aaron Paul would be cameos at best. But the audience favorite Jonathan Banks reprises his role as the phlegmatic encer Mike Ehrmantraut.《风骚律师(Better Call Saul),AMC,月8日播出这是文斯·吉里根(Vice Gilligan)与彼得·古尔德(Peter Gould)的《绝命毒师的衍生剧,或许是今年冬天最受期待的新剧了鲍勃·奥登科克(Bob Odenkirk)饰演狡猾的律师索尔·古德曼(Saul Goodman),剧情设定在《绝命毒师的故事发生之前,所以布莱恩·克莱斯顿(Bryan Cranston)或亚伦·保罗(Aaron Paul)至多只是客串出演而已但观众们最喜欢的乔纳森·班克斯(Jonathan Banks)将在里面重现他在《绝命毒师中的角色——冷静的行动执行者迈克·厄尔曼特劳特(Mike Ehrmantraut)JINX: THE LIFE AND DEATHS OF ROBERT DURST (HBO, Feb. 8) Andrew Jarecki (“Capturing the Friedmans”) directed this six-part documentary series with the cooperation of Mr. Durst, the New York real estate scion linked to several killings and the unsolved disappearance of his first wife.《倒霉蛋:罗伯特·斯特的生与死(Jinx: The Life and Deaths of Robert Durst),HBO,月8日播出《追捕弗雷德曼家族(Capturing the Friedmans)的导演安德鲁·杰瑞克奇(Andrew Jarecki)执导了这部六集系列纪录片,在片中与斯特先生通力合作斯特出身纽约房地产世家,与数起谋杀事件有关,他的第一任妻子失踪之谜至今未曾解开THE SLAP (N, Feb. ) Jon Robin Baitz and Lisa Cholodenko are producers of this adaptation of an Australian mini-series about the fallout from a momentary loss of control at a backyard birthday party. The impressive cast includes Peter Sarsgaard, Uma Thurman, Thandie Newton, Brian Cox and Melissa George (who also appeared in the original).《一记耳光(The Slap),N,月日播出乔恩·罗宾·贝茨(Jon Robin Baitz)与丽莎·查罗登科(Lisa Cholodenko)担任制作人,这部剧改编自一部澳大利亚迷你剧,讲述一个后院生日派对失控后带来的后果演员阵容非常强大,包括彼得·萨斯加德(Peter Sarsgaard)、乌玛·瑟曼(Uma Thurman)、桑迪·牛顿(Thandie Newton)、布莱恩·考克斯(Brian Cox)和梅丽莎·乔治(Melissa George,她也在原剧中出演角色)HOUSE OF CARDS (Netflix, Feb. 7) Netflix’s political grand guignol gets a -episode third season. Kim Dickens of “Treme” joins Kevin Spacey and Robin Wright in the cast, and two members of Pussy Riot will make a guest appearance.《纸牌屋(House of Cards),Netflix,月7日播出Netflix的政治大戏,第三季有集除凯文·斯派西(Kevin Spacey)与罗宾·怀特(Robin Wright)外,曾出演《忧愁河上桥(Treme)的基姆·迪金斯(Kim Dickens)亦加盟该剧,“Pussy Riot”的两位成员亦有客座出演BATTLE CREEK (CBS, March 1) What a difference a hit makes. Vince Gilligan wrote a pilot script this frenemy-cop show more than a decade ago, bee he was Vince Gilligan, creator of “Breaking Bad” (and “Better Call Saul”). Now it’s being made into a series with a -episode guarantee from CBS. Dean Winters (“Law amp; Order: SVU,” “30 Rock”) plays a local detective and Josh Duhamel (“Las Vegas”) a slick F.B.I. agent who work together, uneasily, in the Cereal City of Battle Creek, Mich.《江城警事(Battle Creek),CBS,3月1日播出重磅剧就是会带来这样的改变文斯·吉利根在十几年前就为这部亦敌亦友的警探搭档剧写好了试播集剧本,当时他还不是《绝命毒师与《风骚律师的主创如今它终于被CBS拍成集连续剧了《法律与秩序:特殊受害者(Law amp; Order: SVU)和《我为喜剧狂(30 Rock)的主演在剧中饰演一个当地警探,《(Las Vegas)主演乔希·杜哈明(Josh Duhamel)饰演一个老练的联邦调查局探员,两人在密西根州巴托溪的塞里尔城共事,相处得很不自在BROADCHURCH (B America, March ) David Tennant returns in the second season of this evocative British mystery, playing Detective Alec Hardy again (after a season as Detective Emmett Carver in the American remake, “Gracepoint”). With the British premiere scheduled Monday, the producers have begun to talk a little about the show’s top-secret Season story line, and fans may not like what they hear: Chris Chibnall, the creator and writer, told a British magazine, “It’s not another crime case.” Olivia Colman returns as Detective Ellie Miller, while Charlotte Rampling and Marianne Jean-Baptiste join the cast.《小镇疑云,B America,3月日播出大卫·田纳特(David Tennant)携第二季归来,在这部引人共鸣的英国推理剧中继续饰演亚力克·哈迪(Alec Hardy)探员(去年他在美国翻拍版的《小镇疑云[Gracepoint]中饰演埃米特·卡弗探员)这部剧将于周一在英国首映,制作人们已经开始谈起第二季的秘密情节了,编剧克里斯·齐布纳尔(Chris Chibnall)在接受英国杂志采访时说的话可能会让剧迷不爱听,“第二季不是讲罪案的”奥莉薇娅·科尔曼(Olivia Colman)继续饰演艾丽·米勒(Ellie Miller)探员,夏洛特·兰普林(Charlotte Rampling)和玛丽安娜·琼-巴普迪斯特(Marianne Jean-Baptiste)也加入了演员阵容CANCER: THE EMPEROR OF ALL MALADIES (PBS, March 30) Barak Goodman (“Scottsboro: An American Tragedy,” “My Lai”) is the director and Ken Burns is an executive producer of this six-hour series based on the Pulitzer Prize-winning book “The Emperor of All Maladies: A Biography of Cancer” by Dr. Siddhartha Mukherjee.《癌症:众病之王(Cancer: The Emperor of All Maladies),PBS,3月30日播出该剧由《斯科茨伯勒:美国的悲剧(Scottsboro: An American Tragedy)与《美莱(My Lai)的导演巴拉克·古德曼(Barak Goodman)执导,肯·伯恩斯(Ken Burns)担任执行制作人,这部六小时的剧集是根据普利策获奖书籍、悉达多·穆克吉(Siddhartha Mukherjee)医生的《众病之王:癌症传(The Emperor of All Maladies: A Biography of Cancer)改编的WOLF HALL (PBS, April 5) In the season’s most promising piece of casting, Damian Lewis (“Homeland”) will play Henry VIII and the two-time Tony Award winner Mark Rylance will play Thomas Cromwell in this “Masterpiece” adaptation of the popular Hilary Mantel historical novels.《狼厅(Wolf Hall),PBS,月5日播出这一季最引人注目的选角,《国土安全(Homeland)的主演达米恩·刘易斯(Damian Lewis)将在该剧中饰演亨利八世,两获托尼奖的马克·里朗斯(Mark Rylance)将饰演托马斯·克伦威尔(Thomas Cromwell),这部经典改编剧改编自希拉里·曼特尔(Hilary Mantel)的畅销历史小说 69

Often described as China answer to Justin Bieber, the 5-year-old pop star is suddenly everywhere, promoting tar Wars and Kung Fu Panda 3, and next appearing opposite Matt Damon in Zhang Yimou The Great Wall.人们经常称鹿晗为“中国的贾斯汀·比伯”,这位5岁的流行歌手好像一下子就火起来了:刚忙完电影《星球大战和《功夫熊猫3的宣传工作,又要出现在张艺谋导演的电影《长城中,与马特·达蒙上演对手戏Although he virtually unknown in the West, 5-year-old Chinese pop star-turned-screen neophyte Lu Han has emerged as the de facto face of Hollywood in China.实际上,鹿晗在欧美的知名度并不高,但作为歌手出身的演员新秀,他成功地成为了好莱坞在中国的代言人Disney revealed that Han had been named the ;official ambassador; Star Wars: The ce Awakens inChina. This uncommon title comes with obvious weight: The pic is all but certain to be the biggest international movie of , andChinais now the world second-largest movie market.迪斯尼影业透露,鹿晗将出任《星球大战:原力觉醒的中国形象大使这个头衔非比寻常,其重要性也不言而喻:《星球大战完全可以说是年最重要的国际大片,而中国则是世界第二大电影消费市场In his capacity as Star Wars ;ambassador,; according to Disney, Han will serve as an honorary member of the ;Jedi Order; inChina, appearing in local advertising spots and at promotional events, while a special remix and music his thcoming single ;The Inner ce; will be the official Chinese promotional theme song ce Awakens.迪斯尼影业表示,作为《星球大战的中国代言人,鹿晗将以中国绝地武士团荣誉会员的身份出席相关广告和宣传活动,而鹿晗即将发行的单曲《原动力的特殊混音版和MV也将成为宣传《原力觉醒的中文官方主题曲Han is also putting his personal brand to work on behalf of DreamWorks Animation. He released ;Deep,; a music promoting Kung Fu Panda 3, the much-anticipated U.S.-China co-production from the Oriental DreamWorks joint venture. The , in Mandarin and English, was directed by Raman Hui, the filmmaker behind Monster Hunt, which became the highest-grossing pic ever in China over the summer.同时,作为梦工厂动画公司的代言人,鹿晗正在充分发挥他的个人品牌作用备受期待的《功夫熊猫3是一部中美合拍片,由中美合资企业上海东方梦工厂影业负责制作鹿晗为该片推出了中英文歌曲MV《海底该 MV由电影导演许诚毅操刀许导的《捉妖记是今年暑期中国最卖座的电影Next, Han will appear opposite Matt Damon and Willem Defoe in director Zhang Yimou period epic The Great Wall, from Thomas Tull Legendary Pictures — arguably the second most-anticipated U.S.-China collaboration of behind the Kung Fu Panda sequel.接下来,鹿晗将与马特·达蒙和威廉·达福一同出现在张艺谋执导的好莱坞史诗电影《长城中该电影将由托马斯·图尔的传奇影业负责出品和发行《长城将成为继《功夫熊猫3之后,年第二部最受期待的中美合拍片So, who is this Chinese pop phenom, and why are so many Hollywood heavyweights banking on him?那么,这位中国新星到底是谁?为什么能赢得这么多好莱坞大腕的青睐?Thank to his boyish looks, messy mop of hair and legions of young female fans spanningAsia, Han has often been described as the Chinese answer to Justin Bieber. Born and raised in Beijing, he pursued university studies abroad in South Korea, where he was scouted to become a founding member of South Korean-Chinese boy band EXO. In October , Han broke from the group and began a solo career, as well as a transition into film acting, starring in Once Again and The Witness. Both films became sizable hits in China over the summer ( Once Again grossed just under million; The Witness opened to $.8 million, topping Ant-Man in its second week).鹿晗长着一张娃娃脸,头发凌乱蓬松,在亚洲俘获女粉丝无数——正因为如此,他也经常被称为“中国的贾斯汀·比伯”鹿晗在北京出生、长大,大学赴韩国留学期间,被星探发掘,成为中韩男团EXO的初始成员之一年月,鹿晗退出EXO单飞,开始向演艺方向发展,先后主演了《重返岁和《我是人这两部电影在今年夏季的票房成绩都不错:《重返岁票房近6000万美元;《我是人首映票房达80万美元,第二周票房超《蚁人位居榜首Perhaps more valuable to Disney and DreamWorks, Han has cultivated an influential celebrity brand on Chinese social media. He counts nearly million followers on Weibo and holds the Guinness World Record most comments on a single Weibo post (the tweet in question concerned British soccer club Manchester ed, also wildly popular inChina). His post announcing his Star Wars gig — ;I am honored to be the Star Wars ambassador to China, May the ce be with you!; — has been retweeted some 1.5 million times.也许,迪斯尼和梦工厂更看重的是鹿晗在中国社交媒体上的超高人气他的微粉丝近00万,他有一条个人微破千万,创吉尼斯世界“单条微数”纪录(这是一条关于英国足球俱乐部曼联的微,该俱乐部在中国很受欢迎)他的另一条微——宣布自己成为《星球大战官方大使:“很荣幸可以成为《星球大战中国大使,愿原力与你同在!”——已被转发了0万次Han appeal among young female filmgoers may also have been a decisive factor Disney, as young Chinese women have emerged as an increasingly vital demographic movie marketers there.随着中国年轻女性在国内电影消费市场的重要性与日俱增,鹿晗对年轻女影迷的吸引力也是迪斯尼选中他的一个关键因素;As a popular young idol, Lu Han is a good fit our promotional approach Star Wars,; John Hsu, Disney vp and general manager in China, said (translated from Chinese). ;He also a Star Wars super fan himself. I believe he will do a great job at raising the Chinese audience anticipation and enthusiasm The ce Awakens.;迪斯尼影业副总裁兼中国地区总经理徐隆立表示:“作为一位年轻的流行偶像,鹿晗非常适合我们为《星球大战策划的宣传方向他本人也是《星球大战的铁杆粉丝,我相信他会大大提高中国观众对《原力觉醒的期待和热情”Give it a few years, and Justin Bieber may come to be known as the U.S. answer to Lu Han.说不定几年后,人们可能会说贾斯汀·比伯是美国的鹿晗呢 859

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